There is something especially poetic about a spring wedding at the National Museum of Women in the Arts. The architecture is grand and confident, but it also allows for softness. Lara and Owen embraced that duality beautifully, layering airy color and organic texture into the museum’s historic interior.

The bridesmaids wore a wash of pastel tones that felt like a living watercolor. Pale blue, blush, buttercream, and lilac moving gently through the space. Above the ceremony, a custom pipe and drape installation transformed the balcony into something almost ethereal. Swagged fabric in shades of white, beige, and the faintest hint of blue cascaded from above, softening the lines of the room and creating movement overhead without overwhelming the architecture.

Instead of a traditional floral arch, the couple chose a sculptural collection of plants to anchor the ceremony. Layered heights of leafy greens created depth and presence, forming a living focal point that felt intentional and modern. The effect was grounded yet romantic, a quiet statement that allowed Lara and Owen to remain the center of the moment.

For the reception, the design shifted toward intimacy. Tables were adorned with low wildflower arrangements in delicate spring hues. The scale was thoughtful and restrained, encouraging conversation while still delivering texture and color. Each arrangement felt gathered rather than overly composed, echoing the effortless feeling of the day.

Lara and Owen’s celebration was proof that softness can still feel impactful. Pastels, layered draping, living greenery, and wildflower textures came together to create a spring wedding that felt refined, fresh, and completely at home inside one of Washington’s most iconic venues.

Venue: National Museum of Women in the Arts

Caterer: Spilled Milk Catering

Photography: Mason Photography

Florist: Petal’s Edge

Music: District DJ

Beauty: MAB Artistry

Coordinator: Jennifer Rose Events